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Песни: süsser Tod (Come, sweet Death)
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About the songs: Komm süsser Tod (Come, sweet Death)
"Come Sweet Death" (Komm, süsser Tod) is a charmingly mournful short item by J.Bach
There is 2 variants of song, Japanese and English (remastered by Hideaki Anno)
They are dramastically different, so may be treated as different songs for one theme.
English variant:
I know, I know I've let you down
I've been a fool to myself
I thought that I could live for no one else
But now through all the hurt and pain
It's time for me to respect
The ones you love mean more than anything
So, with sadness in my heart
Feel the best thing that I could do
Is end it all and leave forever
What's done is done it feels so bad
What once was happy now is sad
I'll never love again
My world is ending
I wish that I could turn back time
Cos now the guilt is all mine
Can't live without
The trust from those you love
I know we can't forget the past
You can't forget love and pride
Because of that, it's killing me inside
It all returns to nothing
It all comes tumbling down, tumbling down, tumbling down
It all returns to nothing
I just keep letting me down, letting me down, letting me down
In my heart of hearts
I know that I could never love again
I've lost everything, everything
Everything that matters to me
Matters in this world
I wish that I could turn back time
Cos now the guilt is all mine
Can't live without the trust from those you love
I know we can't forget the past
You can't forget love and pride
Because of that, it's killing me inside
It all returns to nothing
It just keeps tumbling down, tumbling down, tumbling down
It all returns to nothing
I just keep letting me down, letting me down, letting me down
It all returns to nothing
It just keeps tumbling down, tumbling down, tumbling down
It all returns to nothing
I just keep letting me down, letting me down, letting me down
Japanese variant
Amaki Shi yo, Kitare
(O Sweet Death, Come)
I'm anxious.
I'm anxious.
I'm afraid that I'll be hated by everyone.
I'm afraid that I'll be hurt.
But, I'm more afraid that I'll hurt people.
But, I will hurt them.
I will hurt the people I love.
Therefore, I won't love people.
Therefore, I will hurt myself.
So I hate it.
So I hate it so much.
I mustn't be loved.
Therefore, I will hurt myself.
Gentleness is so cruel
If I entrust my heart, I will be broken
If our hearts touch each other, he will be hurt
Therefore, I can do naught but break
I can do naught but return to nothing
Let's return to nothing
Let's return to nothing
That is the place filling with and full of gentleness
There is the place without the pain of truth
The place without the tremble of the heart
Let's return to nothing
Let's return to nothing
Let's return to a nothing without others
Let's return to nothing
Let's return to nothing
Let's return to a nothing without anything that hurts...... (repeat)
Thanks: http://theeternalmind.sterlingsylver.net/campuslyrics/susser.html
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Песни: другие
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About the songs: other
Was the song, "Komm, S?sser Tod" written especially for the movie?
Yes. Anno originally wrote a piece in Japanese (it is included in
the "The End of Evangelion" CD booklet) which set the mood for the
song. The song was meant to be subtitled in Japanese during the movie.
Who are the 3 women seen standing during the live action scene?
You can see Asuka (Miyamura Y?ko), Misato (Mitsuishi Kotono) and Rei (Hayashibara Megumi).
"These scenes are excerpts of what the live action sequence of
episode 26' was supposed to be. Anno couldn't make it correctly (for
reasons I'm not aware of), so all we can see is a few live shots of
Tokyo and the one you noticed with "Rei", "Asuka" and "Misato", with
Shinji and Rei talking in background." (From a post by Olivier Hagu?)
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Зал Гаф
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The Hall of Gaff
During the initial stage of Instrumentality, Fuyutski states that the
Hall (or Room) of Gaff has opened. The Hall of Gaff is the place where
the souls of mankind are kept before they are born. In extra-biblical
lore, one of the signs of the apocalypse is the birth of a soulless
child whose existence indicates that the Hall has been emptied of
souls. The soulless child is, of course, the clone Reis. You might also
remember that the Childrens' sensei, in one of his many ramblings,
stated that the birth rate has been decreasing every year since the
Second Impact.
It should be further noted that Ritsuko calls the room with the
Rei-quarium (the "Rei aquarium", the LCL tank with the Rei clones) the
"Room of Gaff" as well.
В течение начальной стадии Содействия, Фуюцки заявляет, что Зал (или
Комната) Гафа открылся. Зал Гафа - место, где души человечества
сохранены прежде, чем они рождаются. В экстра-библейских знаниях, один
из признаков апокалипсиса - рождение мертвого ребенка, существование
которого указывает, что Зал был освобожден из душ. Мертвый ребенок,
конечно, клоны Рэй. Вы могли бы также помнить, что учитель Детей,
заявил что процент рождаемости уменьшался каждый год начиная со Второго
Воздействия. Должно быть далее отмечено, что Ритсуко называет комнату с
Rei-quarium (\"аквариум Рэй\", резервуар LCL с клонами Рэй) \"Комнатой
Гафа\" также.
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Потерял ли Тоджи свою руку когда Ева-03 была уничтожена?
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Did Touji lose an arm when Unit 03 was destroyed?
When we see Touji in the hospital when Hikari is there, we can see that
he has clearly lost a leg, and his left arm is not in view. This does
not mean he lost the arm. We can see both of his arms intact when he is
being pulled from the entry plug, and in the storyboards for the EoE
movie he is shown playing basketball in a wheelchair, with two arms. So
contrary to popular belief, HE DID NOT LOSE AN ARM. Never ever say this
on the group. Both of Touji's arms survived and any arguments otherwise
are futile.
Когда мы видим Тодзи в больнице, когда Хикари - там, мы можем видеть,
что он ясно потерял ногу, и его левая рука не в поле зрения. Это не
означает, что он потерял руку. Мы можем видеть обе руки , когда его
вытаскивают капсулы пилота, и в сценарных отделах киностудии для кино
EoE его показывают, играя баскетбол в инвалидном кресле, двумя руками.
Так вопреки популярной версии, ОН НЕ ТЕРЯЛ РУКУ. Обе руки Тодзи целы и
любые аргументы неосновательны
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